The overnight pass

We watch the footage.

Every other continuity tool reads the script. We process raw dailies overnight and deliver a continuity error report — side-by-side frame crops, severity indicators — before the next call time.

THE LONG WAY HOME · Day 14 of 42
Processed 03:47 → 06:12
18 setups · 1,340 diffs · 207 flagged
SC 42A · SU 3 · T 2 · wide01:14:22:08
SC 42A · SU 4 · T 1 · close01:14:47:22
Glass is half-empty in the close, full in the wide. Story-continuous across 25 seconds of screen time; shot 38 minutes apart on set.
FLAGGED · MEDIUM
How it works

Upload dailies.
Get the report.
Before the next shooting day.

No integrations, no on-set hardware, no new app for the script supervisor to manage during a twelve-hour day. The report is ready when the crew shows up.
21:40
End of day. Upload dailies.
From the DIT cart, the lab, or any folder on a drive. ProRes, DNx, or H.264. We ingest at native resolution and keep your proxies where they are.
22:00 → 05:30
Overnight on GPU.
A deterministic computer vision pipeline — detection, segmentation, visual embeddings. Not an LLM. That's why it's fast, cheap, and explainable when a script supervisor asks why something was flagged.
06:00
Report is waiting.
Side-by-side frame crops of every flagged difference, grouped by scene and severity. Dismiss the intentional ones. Confirm the real errors. Hand a tight list to production before the first call.
Three levels of comparison

Most errors don't live where you think they live.

Take-to-take is the obvious one. The expensive mistakes happen between setups and across days.
01 · STRICT
Between takes of the same setup
Pixel-level comparison. Picks up a prop nudged half an inch, a hair tucked differently, a watch flipped on the wrist.
02 · WHERE IT LIVES
Between setups in the same scene
The overlap cut. The one that kills you in the edit. The glass that's full in the wide and half-empty in the close, shot forty minutes apart.
03 · DAYS APART
Between story-continuous scenes
Costume, props, accessories. The scarf that changed color between a Monday exterior and a Thursday reshoot of the same moment.
The wedge
Every other continuity tool reads the script. We read the film.
— It's the single most important thing about us.
Against the field

The gap is simple.

Filmustage, Cinapse, ScriptE, Studiovity, Celtx, Movie Magic — all operate at the script-breakdown or manual-logging level. None of them analyzes frames.
Source
Everyone else · Script text
Film Continuity · Raw footage
Input
Everyone else · Manual logging during shoot
Film Continuity · Dailies, uploaded once
Output
Everyone else · A searchable database
Film Continuity · A specific list of errors
When
Everyone else · During the shooting day
Film Continuity · Before the next one
Who it's for

A safety net for the ones who have a script supervisor. The only net for the ones who don't.

Both framings can be true at once. They should never be collapsed into one.
With a script supervisor

We work the night shift.

Script supervision is a unionized, creative role. We are not a replacement and never will be. We're the overnight pass that catches what slipped through a twelve-hour day — so the next morning starts with a shorter list, not a longer one.

Without one

The only continuity pass you'll ever get.

Most indie work, nearly all student and first-feature work, has no one tracking continuity at all. For you, we're a post-production capability that used to require a crew role — now it's a service you can afford on any budget.

Before the next call time.

Request access. We'll walk you through a real report from a recent feature — yours, if you have one, or ours.